(Popsicle)

www.popsiclerecordings.com

Despite two previous recordings to his credit, ...And Then Some effectively serves as a first Stateside intro to London-born, Canada-dwelling singer/songwriter Luke Jackson, an artist with a particular penchant for melding brash, irrepressible pop designs to string-laden chamber songs seemingly inspired by Nick Drake and other earnest troubadours of a similar ilk.  No wonder then that on this duly impressive third album, he recruits back-up support from musicians who operate on both sides of that stylistic divide, most notably British arranger Robert Kirby, whose string arrangements for Drake, Elvis Costello and John Cale make him the go-to guy when it comes to orchestral flourishes. 

Consequently, ...And Then Some becomes an album rife with ambiance, an eloquent, expressive set that exudes both confidence and an enthusiasm that's downright infectious.  Opening track "Come Tomorrow" proudly trumpets Jackson's exuberance - "I haven't felt this good in years," he proclaims, and there's no disputing the fact he's laying it on the line.  The good vibes are contagious; from the soaring sentiments of "This Life" to the brash, upstart stance of "Goodbye London" and the intensive urgency of "Longest Day" and "Half a World Away," Jackson's drive and desire race at full throttle.   And yet, in those moments of sublime repose, where the strings swell and the emotions soar  - "Trouble," "A Little Voice," "All I Can Do" and "The Fear" being among them -he demonstrates an intrinsic taste, craft and intelligence that affirm his natural pop pedigree. 

It's only January, but it's not too early to declare ... And Then Some - which was quietly issued in November but is only now getting the full p.r. push - as one of the most significant discoveries of the year.

Standout tracks: "Goodbye London," "All I Can Do," "Come Tomorrow" LEE ZIMMERMAN