It's impossible to listen to producer Daniel Lanois' own recordings without thinking of his famous friends —  Dylan, Eno, U2, Peter Gabriel — and what he gives versus what he takes away from those collaborations. But if his trademark sound ringing through every note here still leaves any question, there's a documentary with the same title that should settle the score. As Lanois unmasks the creative process, he reveals himself to be... tah dah! a mindful, mystical, studio alchemist.

But of course we already knew that. As a musician, Lanois relies on his pedal steel to do the talking (his voice isn't his strength). The instrument is central to the gospel "Joy," as well as to "Not Fighting Anymore" (with its Dylanesque phrasing) as well as on the dusky "Blue Bus." The steel even stands up to the virtuoso Garth Hudson piano introduction to "Lovechild." As guitar, bass and drums percolate on "Luna Samba" and "This May Be the Last Time" demonstrates what Lanois can do with a Baptist church choir and a mixing board, the album becomes the ultimate producer's demo reel. If only someone could convince the producer there's no shame in remaining behind the glass.

Standout tracks: “Where Will I Be,” “Joy” DENISE SULLIVAN