News / RSS
A.Fire, Decemberists 4 Hunger Games Sdtk

Eagerly awaited teen movie due March 23 via Lionsgate.
By Blurt Staff
Okay, we gotta admit it - while The Hunger Games trilogy has its flaws, that hasn't stopped us from enjoying the books (we're about halfway through the third one). And the previews for the film adaptation look pretty swell too, so count us among the fans.
The soundtrack appears to be promising as well: T Bone Burnett and Danny Elfman will be producing it, for which Taylor Swift and the Civil Wars are teaming up for at least one track ("Safe and Sound"), which has already hit iTunes as a best selling single. More recently we learned that the Decemberists and Arcade Fire have both signed on. "We are thrilled to have such a hauntingly beautiful companion album taking shape," Joe Drake, co-COO of Lionsgate, told Reuters.
More details tba.
Sam Rivers 1923-2011 R.I.P.

Sax giant was a leading light among the jazz avant-garde.
By Fred Mills
Samuel "Sam" Carthorne Rivers, a hugely influential jazz sax, flute, clarinet and piano musician and composer, passed away on Monday, Dec. 26, in Orlando, Fla., at the age of 88. According to his obituary published today at the New York Times the cause of death was pneumonia.
Rivers cut his teeth in the late ‘50s and ‘60s, working with the likes of Miles Davis, Tony Williams, Jaki Byard, Herbie Hancock and Freddie Hubbard, eventually becoming a prominent player within the free jazz movement. His best known albums were cut circa 1964-1976 for the Blue Note and Impulse labels, although he recorded on and off during the ‘80s and ‘90s, while earlier this year he released the album Sam Rivers and the Rivbea Orchestra - Trilogy (Mosaic Records), comprising 2008-09 recordings.
Wrote the Times, "His sound on the tenor saxophone, his primary instrument, was distinctive: taut and throaty, slightly burred, dark-hued. He also had a recognizable voice on the soprano saxophone, flute and piano, and as a composer and arranger."
[Photo via Wikimedia Commons, by Robert Auclair]
Hear New Cat Power Song, Watch Video

Charity-minded MP3 available at Chan's website.
By Fred Mills
Cat Power fans got an unexpected Christmas gift Saturday when the singer released a newly recorded version of her tune "King Rides By," from '96 LP What Would the Community Think? You can download the MP3 from Cat Power's website, and do so ‘cos it's for a good cause - to benefit The Festival of Children Foundation and The Ali Forney Center.
Meanwhile, the tune also accompanies a "new" Cat Power video - or, more accurately, a short film by Giovanni Ribisi depicting Filipino boxer Manny Pacquiao. Check it out, below.
Download Genesis P-Orridge Film Trailer

The Ballad of Genesis and Lady Jaye opens in March.
By Fred Mills
Back in July we published an in-depth review of the Marie Losier-directed documentary The Ballad of Genesis and Lady Jaye (which our commentator called "one of the best love stories of all time"). Since then it's notched numerous awards including being officially selected by Berlin and San Francisco International Film Festivals as well as the SXSW and Tribeca Film Festivals, and it's scheduled for a proper national release on March 8 in NYC.
The filmmakers have now made the trailer available for free download, additionally posting it for viewing at Apple. Check it out.
Meanwhile, we also published an interview with the Throbbing Gristle/Psychic TV legend in 2009 which can be viewed right here.
Watch New Ting Tings Video; LP Due March

Inspired by the Beastie Boys' Paul's Boutique, eh? Check out the video for new single below.
By Blurt Staff
It's hard to guage just yet whether or not the sophomore album from Britain's Ting Tings (Jules De Martino and Katie White), titled Sounds From Nowheresville (Columbia) and due out in the US in March (exact date tba), will rank among the proverbial "highly anticipated" releases of 2012. Since their much-buzzed, heavily-hyped, Grammy-nominated 2008 debut We Started Nothing, featuring hit singles "That's Not My Name," "Shut Up And Let Me Go" and "Great DJ," a lot of the buzz and hype has definitely subsided. And 4 years in the modern era is an eternity; everyone's moved on to, like Deadmau5 or something.
At any rate, here's what we are being told about the band and the album:
"The Ting Tings have fought a hard battle to find themselves back at square one: emotionally, earnestly and even for a moment, geographically. Despite their mainstream success, they aimed to stay true to the punk ethos that had always defined and inspired the music they created together. A year and half after making a record (in East Berlin) and scrapping it, and making another one (in Southern Spain) and loving it, they are ready to share what they've been fashioning with their fans. The move from the thawing ice of Berlin that homed the writing to their first global onslaught to the dustbowl of late Spring in Murcia, Southern Spain, proved a success and the band were instantly enthused and cranked into fourth gear.
"At the start of 2011, The Ting Tings were pointed in the direction of the unequivocal classic Beastie Boys album, Paul's Boutique. Having played the record many times before, they were overawed when they delved back into the album and discovered its many nuances. If they needed a bounce-off point to set their muse free, this was it. What they had learned most implicitly was a freedom to move around musically. Hence the title: Sounds From Nowheresville. Musically, the album has really let The Ting Tings rip."

The current press release goes on to namecheck, in addition to the Beasties, the likes of OMD, the Tom Tom Club, the Rezillos and, uh, TLC. Well, 4 out of 5 ain't bad! First single "Hang It Up" is billed as displaying "their new, expansive palette, set against a firing two chord guitar riff," so check it out, below (it actually does sound like Beastie Boys in place), along with a Bag Raiders remix for the track "Silence."
A tour is being planned for next spring as well.
Merry XXmas from The xx

Demo of "Open Eyes" unveiled just in time for the holiday.
By Fred Mills
With buzzband The xx currently working on the followup to 2009's The xx debut, it remains to be seen whether or not the young Londoners can avoid the dreaded sophomore slump, particularly considering that when the record does get finished and released it will probably have been a 3-year gap. Everyone's moved on since then, listening to, say, Florence & the Machine.
At any rate, just to make sure they get their name back into the press and onto the blogs, they've offered up a demo of new song "Open Eyes" and yo can check it out below.
Vid: Full 3hr 12-21 Guns N’ Roses Show

Band performed Dec. 21 in L.A.
By Fred Mills
Why yes, yes - that IS Axl Rose above, looking like a somewhat portly cross between Jim Morrison, Kid Rock and the homeless guy who hangs around near the entrance of Walgreens, asking for spare change so he can get his "prescription filled." No matter - it's also proof that the Guns N' Roses mainman is alive and well and still willing to kick out the jams.
The Gunners performed Dec. 21 at the Forum in L.A., and needless to say the video cameras were out in force, including one wielded by a YouTuber going by the handle "Mraxlfuckinrose1985," appropriately enough (he's obviously a big GNR fan, given that name, and he's also got a slew of Slash videos posted to his YouTube channel).
The entire show has been uploaded, if you can believe that. There are plenty of rough spots here and there, but the video also appears to be the result of multiple cameras and some quick but serviceable post-event editing. The sound, for its part, is above-average bootleg quality and quite listenable. Take a look quick, before it gets taken down... Oh, in case you were wondering: "Sweet Child O' Mine" kicks in at about the 1 hour and 25 minute mark...
Report: Scratch Acid/Dinosaur Jr Live in Portland

At the Crystal Ballroom in Portland, Ore., December 16, a pair of postpunk icons delivers the goods a quarter century after the fact.
By Tim Hinely
This was the show of the year a far I was concerned. Also on the bill was Portland legends Pierced Arrows, featuring Fred and Toody Cole from Dead Moon, but unfortunately I was not able to get there in time to catch them. Years ago I caught Scratch Acid at a club in Philly called Revival, on April 29, 1987. On that evening vocalist David Yow was sick as a dog and asked if anyone in the crowd had any antibiotics (no one did) and with that launched into an incredible version of "Mary Had a Little Drug Problem." Now, on this night, nearly 25 years later, they launched head first into the same song to open with the set but not without Yow first addressing the crowd with "This had better be good."
And it was. Very, very good. They're all excellent player and Yow's prowess as a vocalist (with both S.A. and later the Jesus Lizard) doesn't need to be mentioned here, but when my pal turned to me midset and said, "Man, (Rey) Washam, and (David Wm.) Sims are the greatest rhythm section in rock history. And I don't mean indie rock, I mean rock history," he was dead serious (and just may be right). Also torn to bits that night were stellar versions of "Cannibal," "Owner's Lament," "Crazy Dan," "Amicus," "Damned for All Time," "For Crying Out Loud" and plenty more. For those who missed it, pray they do one more tour. [Ed. Note: no immediate plans for that, based on comments from both Yow and Sims in the recent BLURT interview.]

Prior to Dinosaur Jr going on the band was interviewed by Henry Rollins for about 15 minutes. Rollins said it was Dinosaur Jr's idea to do it and that he jumped at the chance. He asked some interesting questions about what the transition was like for the band from their 1st to their 2nd record but the best part was when he stated that music was the most difficult art form to which Lou Barlow laughed and said, ""What??!! Oh man...I think it's the easiest!"
About 15 minutes later the reformed Dino Jr came back out and performed their entire 3rd record, Bug, from start to finish, after opening up with non-album tracks "Keep the Glove" and "In Jar." I'm still not sure why they didn't tour for their amazing You're Living All Over Me, easily their best, but still, Bug is a worthy record to revisit, especially that amazing first half - and yes "Freak Scene," "No Bones," "They Always Come" and "Let It Ride" all sounded awesome. For the set-ending "Don't" (the one that Barlow sings, where he screams "Why don't you like me?!" over and over again) he asked if anyone from the crowd wanted to come up and sing...and asked ...and kept asking. He then said it had to be someone who looked like him and finally a thin, bespectacled kid came up and shredded his vocals for about 15 minutes which was our cue to head home.
The night was as a good as advertised though, two bands in their prime 25 years both came back and showed the kids they can still deliver. And they did. And hopefully will again.
Huge Elvis Museum Opens… in Dusseldorf!

Forget visiting Graceland for Christmas. Hey, with the value of the Euro currently in the toilet, now's a good time to book that plane flight to Germany!
By Blurt Staff
Elvis is definitely in the building -- in Germany -- featuring the largest private collection of memorabilia outside the US. Presley's public and inner life are documented, with a special focus on his years as a soldier in Germany, in 1,800 pieces from his career and 2,000 original pictures and writings, with many pieces on display for the first time.
Düsseldorf, Germany -- A new museum housing one of the world's largest private
collections of Elvis Presley memorabilia, and the largest outside of the US, is
now open to the public and offers new insights into his professional and
private life with pieces that have never before been shown in public. The
museum is a new attraction in Düsseldorf's center, the historic Old Town,
home to several world-class museums and the "longest bar in the world" (260
bars, pubs, and breweries in under a mile).
The extensive collection sheds new light on the artist's career during the
1940s-70s, with more than 1,800 original pieces and documents, among them his
first order for a single and his transfer papers from Sun Records to RCA Victor
at a fee of $40,000, an astonishing amount at the time and a move that
contributed to his becoming a superstar.
The exhibit also illuminates little-known aspects of his inner life, such as
his humor, faith, and intellect, and offers signs and explanations of his
personal development in visual arts and spirituality. Examples include
personal notes he made in his favorite book The Prophet, by the philosopher
Khalil Gibran, as well as his mother's journal entries and the personal
appointment book he kept in 1959 in
Bad Nauheim, Germany.
The museum owns a great deal of memorabilia from the time Presley spent in
Germany, serving in the army from 1958-60, including items Presley left behind
when he returned to the US in 1960, such as jewelry, furniture, clothing, and
other home and personal objects. The records he had shipped to himself from the
US to Germany, for
example, reveal his personal taste in music at the time, and documents and
letters from those years reveal his thoughts and emotions.
The exhibit also includes 2,000 original photographs that show stations of
Presley's entire life, and even includes his last hand-written letter from
August 15, 1977. Various aspects of his life will be highlighted with
changing configurations and showcases of this extensive collection.
For more information on the new Elvis
Presley Museum
in Düsseldorf and exhibit hours, visit www.elvis-duesseldorf.de
Radio Birdman Reissues, Box Set Due?

Slew of unreleased material being eyed, along with a classic live concert and possibly a DVD.
By Fred Mills
Along with the recent arrival in the mail of concert recording Radio Birdman Live in Texas (go here to read the BLURT review), we were chuffed to get word that 2012 promises to bring a slew of Birdman archival releases. According to Career Records and Crying Sun, "ultimate reissues" of the group's early records - 1976's Burn My Eye EP, 1977's Radios Appear and 1981's Living Eyes - that will feature fresh mixes from the original master tapes.
Also slated for inclusion: "20+ studio outtakes as well as a superlative 70 minutes of their historic December 1977 Paddington Town Hall concert." All this is previous unreleased (much of it has eluded bootleggers as well, although the Paddington show surfaces from time to time in varying quality), and hopes are for a DVD boasting "vintage footage." Plans are for a limited edition box set collection all this material at first, followed by individual releases.












