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<title>Blurt Online - Blogs</title>
<link>http://www.blurt-online.com/blogs/</link>
<description>Blogs from Blurt</description>
<language>en-us</language>
<pubDate>Thu, 24 May 2012 21:06:09 GMT</pubDate>
<item>
<title>I Don’t Wanna Grow Up / John Moore</title>
<link>http://blurt-online.com/blogs/view/6316/</link>
<description><![CDATA[ &nbsp;

Pennywise
&nbsp;
By John B. Moore
&nbsp;
The Hermosa Beach
punk band Pennywise has been faced with the break up question before.
&nbsp;
In 1996 when founding bassist Jason Thirsk committed suicide
they had to decide whether to keep the band together or call it a day. They opted for the former, bringing in bassist Randy
Bradbury and turned in some of their biggest albums to date.
&nbsp;
So when singer Jim Lindberg decided to leave the group in
2009, citing a desire to spend more time off the road and with his family, the
other guys in Pennywise already knew they would soldier on without him. They
hired Ignite front man Zoli Teglas a few months later and got to work on All or Nothing, their 10th record.
&nbsp;
With the new album finally on the merch table and a summer
full of tours ahead, Bradbury spoke recently about Lindberg's decision to leave
and the band's decision to brush it off and start over.&nbsp;
&nbsp;
***
&nbsp;
How did you end up finding Zoli ]]></description>
<pubDate>Wed, 23 May 2012 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/6316/</guid>
</item>
<item>
<title>Matthew Ryan / Kasey Anderson</title>
<link>http://blurt-online.com/blogs/view/6305/</link>
<description><![CDATA[ &nbsp;
&nbsp;
I came to Matthew Ryan a
little later than most people I know. The first song of Matthew's I heard was
"The World is on Fire" from the album East Autumn Grin. The song was on
a mix tape from a friend sandwiched between The Clash ("Somebody Got Murdered")
and Leonard Cohen ("Chelsea Hotel #2"). Knowing Matthew the way I do now, I'm
not sure he didn't somehow engineer that himself. Matthew Ryan is one of the
most gifted, original and inspiring songwriters I'm aware of, and a listen to
any of his records will yield that conclusion but he has done my favorite work
of his career within the last five years, between the soaring, anthemic beauty
of Vs. the Silver State and the jagged, pulsating brilliance of From
a Late Night High Rise and Dear Lover. His voice is not just an
instrument, it's a weapon. Coincidentally, Matthew covered "Somebody Got
Murdered" a few years back for an album called The Sandinista Project,
and here we are, talking about Leonard Cohen. Li ]]></description>
<pubDate>Mon, 21 May 2012 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/6305/</guid>
</item>
<item>
<title>For the Sake of the Song: Redux, Relaunch</title>
<link>http://blurt-online.com/blogs/view/6304/</link>
<description><![CDATA[ &nbsp;

I started this column two years ago with the intention of
interviewing fellow musicians, actors, comics, friends, and enemies (which
would be difficult as I have none &ndash; ask around, that&rsquo;s a science fact) about
the songs that matter most to them. Unfortunately, after a few installments,
and for any number of reasons, everything fell by the wayside.
&nbsp;
With Blurt&rsquo;s move, we figured now might be a good time to
dust this thing off and see what we can do with it.
&nbsp;
Here goes.
&nbsp;
Kasey Anderson
Portland, Oregon
April 4, 2012
&nbsp;
&nbsp; ]]></description>
<pubDate>Mon, 21 May 2012 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/6304/</guid>
</item>
<item>
<title>Dave Holmes / Kasey Anderson</title>
<link>http://blurt-online.com/blogs/view/6292/</link>
<description><![CDATA[ &nbsp;


Yes, Dave Holmes was on MTV. He "lost"
the Wanna Be a VJ contest to Jesse Camp in 1998, but was subsequently hired by
MTV anyway because somebody had the good sense to realize that, while Jesse's
batshit persona was charmingly annoying, Dave Holmes actually knew a good deal
about music. Holmes probably could have worked for MTV in some fashion forever
(God knows many have tried), but moved on to a variety of gigs, including but
not limited to appearances on Reno 911,
Best Week Ever, and FX's DVD on TV. While, for better or worse,
Camp has been written off as a disposable product of the &lsquo;90's, Holmes has
remained a relevant, intelligent, and charming Pop Culture commentator,
humorist and actor, finding a new generation of fans via Twitter (Twitter.com/daveholmes)
and Tumblr (daveholmes.tumblr.com).
&nbsp;
The process of narrowing down one song
to discuss with Holmes was arduous as there is an enormous amount of crossover
between our respective record col ]]></description>
<pubDate>Sat, 19 May 2012 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/6292/</guid>
</item>
<item>
<title>Rachel Flotard / Kasey Anderson</title>
<link>http://blurt-online.com/blogs/view/6293/</link>
<description><![CDATA[ &nbsp;

By now, you've heard any number of
people fawn over Visqueen's phenomenal album, Message to Garcia. Perhaps you heard the folks over at NPR rave
about the record, or maybe you read a reviewer somewhere falling all over
him-or-herself to heap praise upon Rachel Flotard and company's collection of
songs paying homage to her late father. If you're lucky, you caught one of
Visqueen's blistering, visceral sets somewhere out there in wherever it is you
are. At any rate, you're aware of just how good Rachel Flotard and her band
are.
&nbsp;
I first saw Visqueen five-ish years ago
at the 3B in Bellingham,
 Washington.
Kim Warnick, who is no longer with the band, was on bass, which delighted the
hell out of me as I was a massive Fastbacks fan. But then, as now, it was
Flotard's songs that caught, and kept, my attention. Rachel Flotard is one of
the best writers in Rock &lsquo;N' Roll and, if you're not already aware of that, you
ought to be.
&nbsp;
In between gushing  ]]></description>
<pubDate>Sat, 19 May 2012 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/6293/</guid>
</item>
<item>
<title>Marc Maron / Kasey Anderson</title>
<link>http://blurt-online.com/blogs/view/6294/</link>
<description><![CDATA[ &nbsp;

Marc
Maron is a lot of things but, above all else,
he is a stand up comic. If you've seen Maron in films, on television, or on
stage, you know he can act, but Maron is not an actor; if you've read his
memoir, The Jerusalem Syndrome, you
know that Maron is a hell of a writer, but he's not an author; and if you heard
his voice on Air America or, more recently, on his revered podcast, WTF (which Ira Glass referred to as "the New York Times of comedy podcasts"),
then you know Maron is an eloquent and adept interviewer and storyteller, but
he's no "on-air personality." Marc Maron is an immensely intelligent an gifted
performer and writer, but above all else, Marc Maron is a stand up comic, and
Marc Maron is as good at being a stand up comic as you or I could ever hope to
be at whatever we choose to do (or whatever chooses us, or whatever).
&nbsp;
If
you're not familiar with Maron's work, he tells a story that sums it up pretty
well:
&nbsp;
"Recently a
young woman ]]></description>
<pubDate>Sat, 19 May 2012 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/6294/</guid>
</item>
<item>
<title>Peter Case / Kasey Anderson</title>
<link>http://blurt-online.com/blogs/view/6295/</link>
<description><![CDATA[ &nbsp;

At this point, the fact that Peter Case
is one of the most important American songwriters of the last 30 years goes
without saying. However, in my never-ending quest for superfluity, I just said
it. And I'll say it again, but this time using different words. To attempt to
classify Peter Case's songwriting, or quantify his impact on American rock &lsquo;n'
roll and roots music, would be an exercise in redundancy. Between his time fronting
the Plimsouls (whose recently released Live:
Beg, Borrow &amp; Steal, recorded in 1981, finds the band in particularly
blistering from) and his extensive solo catalog, Case's sphere of influence is
damn near all-encompassing.
&nbsp;
To that end, I can not think of a
better way to kick off this series than to discuss songwriting - specifically,
the songwriting of Bob Dylan and, more specifically, Dylan's tune "Jokerman"
from the 1984 album Infidels - with
Peter Case.
&nbsp;
Do
you remember the first time you heard the tune? I ]]></description>
<pubDate>Sat, 19 May 2012 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/6295/</guid>
</item>
<item>
<title>SONIC REDUCER / CARL HANNI</title>
<link>http://blurt-online.com/blogs/view/6178/</link>
<description><![CDATA[ &nbsp;

Mixing
It Up with Adrian Quesada
&nbsp;
By
Carl Hanni
&nbsp;
The world is full of musical
multitaskers, but by most any standards Adrian Quesada is an unusually busy and
productive guy. I'm aware of four ongoing acts that he splits his time between:
his main band Grupo Fantasma, who won a Grammy Award in 2011 for their record El
Existential; the Latin funk combo Brownout, who share numerous members with
Grupo Fantasma; Ocote Soul Sounds, who he co-leads with Martin Perna from
Antibalas; and his own project The Echocentrics, who recently released their second
album, the digital-only Echoland, a tribute to the hip hop producer
Timbaland. Just hot off the presses is a brand new CD by Brownout, Oozy.&nbsp;
&nbsp;
And it hardly stops there: Adrian also runs Level One Studios is Austin, Texas,
where he and Grupo Fantasma call home. Recent projects there includes work on a
new EP by Daniel Johnston; remixes of two tracks by &lsquo;70s hit-makers Chicago,
one of wh ]]></description>
<pubDate>Mon, 16 Apr 2012 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/6178/</guid>
</item>
<item>
<title>WACKED / STEVEN LORBER</title>
<link>http://blurt-online.com/blogs/view/6108/</link>
<description><![CDATA[ &nbsp;

From File Clerk to CEO-or My Dinner with the Georgetown 5.
&nbsp;
By&nbsp; Steven Lorber
&nbsp;
&nbsp;

&nbsp;
(Just call me Willie)
&nbsp;
&nbsp;
-----------THE PORKYS
NATIONAL ANTHEM-------
&nbsp;
&nbsp;







&nbsp;
It's a hard world to get a
break in  All the good things have been taken  But girl there are ways  To make certain things pay  Though I'm dressed in these rags  I'll wear sable Someday Hear what I say I'm gonna ride the serpent No more time spent Sweatin' rent Hear my command I'm breakin' loose It ain't no use Holdin' me down Stick around  But baby, but baby Remember, remember  It's my life and I'll do what I want  It's my mind and I'll think what I want  Show me I'm wrong, hurt me sometime  But some day, I'll treat you real fine
&nbsp;
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs ]]></description>
<pubDate>Tue, 20 Mar 2012 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/6108/</guid>
</item>
<item>
<title>I DON’T WANNA GROW UP / JOHN MOORE</title>
<link>http://blurt-online.com/blogs/view/6019/</link>
<description><![CDATA[ &nbsp;

D.Y.S.
&nbsp;
By John B. Moore
&nbsp;
As part of the legendary "Boston Crew," the highly
influential 1980's hardcore scene that also included bands like Jerry's Kids,
Gang Green and Negative FX, D.Y.S. provided an East Coast alternative to the
slew of Cali
bands that were dominating punk zines at the time.
&nbsp;
Though their initial sound was pretty simpatico with their
peers, the band ultimately broke through the hardcore clutter and committed an
unwritten taboo at the time with their self-titled second record, by changing
their tuning and mixing in metal influences creating a new sound. While that thrash
influenced punk rock has become fairly standard with today's metal core bands,
in 1984 it was unheard of and caused chaos in the Boston scene, pissing off a lot of punk rockers
that, ironically, had become very rules-focused in their scene.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
&nbsp;
That record was the swan song for the band for th ]]></description>
<pubDate>Thu, 16 Feb 2012 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/6019/</guid>
</item>
<item>
<title>Wasteland Bait & Tackle / James McMurtry</title>
<link>http://blurt-online.com/blogs/view/5981/</link>
<description><![CDATA[ &nbsp;

We Can't Make it Here
(including the iPhone)
&nbsp;
By James McMurtry
&nbsp;
Sometimes
my song, "We Can't Make it Here," seems a bit naive. It's still a pretty good
song, and songs don't have time to be fair and balanced. Songs are mostly about
emotion. So I still sing it. But I read the New York Times a couple of Sundays ago, and I
now understand why we can't competitively produce iPhones here. It seems that
Steve Jobs was not happy with the easy to scratch plastic screen on his
prototype iphone and demanded that the screen be made of scratch resistant
glass. Making good glass is not a problem in the U.S.,
Corning has
been doing it forever. Cutting glass to specs at a competitive pace is a
different matter. After the meeting at which Jobs expressed his
dissatisfaction, one of his execs booked a flight to China, where he knew there
was a factory that could mobilize three thousand workers on a moments notice,
by which I mean, waking them up in their dorm beds ]]></description>
<pubDate>Mon, 06 Feb 2012 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/5981/</guid>
</item>
<item>
<title>BATTLE READY / OTEP SHAMAYA</title>
<link>http://blurt-online.com/blogs/view/5971/</link>
<description><![CDATA[ &nbsp;

Which side are you on, gal? Straight Talk with Cynthia Nixon
&nbsp;
By Otep
Shamaya
&nbsp;
It is
with deep regret that I find myself scribing this, a retort, to the festering
homophobic twaddle spewed by the heretic, Cynthia Nixon. My initial (atomic)
reaction was to target my riposte directly to Ms. Nixon in hopes of reducing
her to a symbolic smoldering lump of charcoal and ash. But after a week
furiously writing a rancorous volume of jibes, aspersions, and insults all
briared within a pummeling of common sense by endless Shiva fists, it occurred
to me that this might be a rather meaningless effort. It may well be
entertaining for some, and definitely uplifting for me (to vaporize her to
cinder), but in all probability will never reach the yuppie fields Cynthia
Nixon pollinates nor will it dissolve the veil of invincible ignorance she
burqas herself in. She has released an update (of sorts) to her original
statement but it's just a bunch of condescending ho ]]></description>
<pubDate>Thu, 02 Feb 2012 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/5971/</guid>
</item>
<item>
<title>I DON’T WANNA GROW UP / JOHN MOORE</title>
<link>http://blurt-online.com/blogs/view/5751/</link>
<description><![CDATA[ &nbsp;
&nbsp;

La Dispute
&nbsp;
By John B. Moore
&nbsp;
Post-hardcore
rockers La Dispute could have easily churned out a paint-by-numbers collection
of distorted guitars and aggressive vocals for their second full length and
chalked it up to the clich&eacute;d sophomore slump. But in the three years between
their debut full length (Somewhere at the
Bottom of the River Between Vega and Altair) and Wildlife, the band faced a slew of life changes.
&nbsp;
They managed to
fill the three year gap with a handful of EPs, 7 inches and splits (seven in
all), but quickly realized their next proper follow up would have to be more
than just a collection of disparate songs. And it is.
&nbsp;
The complex Wildlife has a conceptual theme that
connects the songs together and rather than screwing it up with my own
half-assed explanation, La Dispute vocalist Jordan
Dreyer was kind enough to explain it to me, along with answering a few other
questions about these Grand Rapids, MI-ba ]]></description>
<pubDate>Thu, 08 Dec 2011 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/5751/</guid>
</item>
<item>
<title>Wasteland Bait & Tackle / James McMurtry</title>
<link>http://blurt-online.com/blogs/view/5714/</link>
<description><![CDATA[ &nbsp;

Occupy: "It's common feeling and common conviction
that makes a movement."
&nbsp;
By James McMurtry
&nbsp;
About a week ago, at the end of a short solo tour of Southwest Alaska, I wandered down to Occupy Anchorage.
The camp was only a block from my hotel.
&nbsp;
The temperature was in the single digits with a light
snow. There were three tents, the first of which was wide open. Inside were
four young men, two white and two native, a dog, and a propane heater.&nbsp; I offered them some smoked salmon and some
CDs. They took great interest in the salmon and it was quickly consumed. The
white guys introduced themselves. The natives did not.
&nbsp;
I guess I should have introduced myself to all of
them, but I felt sheepish and shy, like an interloper or a tourist. They all
seemed to handle the cold pretty well. I asked them if they had any tips to
help Occupiers in the lower forty eight get through the winter. They shrugged.
John, the dog's owner, said, "It's pre ]]></description>
<pubDate>Tue, 29 Nov 2011 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/5714/</guid>
</item>
<item>
<title>THREE MONTHS IN L.A. PHOTO BLOG / SCOTT DUDELSON</title>
<link>http://blurt-online.com/blogs/view/5626/</link>
<description><![CDATA[ &nbsp;

Out &lsquo;n' about in the City of Angels
with Blurt's roving shutterbug - Fall, 2011.
&nbsp;
By Scott Dudelson
  Blurt contributing concert photographer Scott
Dudelson hit some of the West Coast's biggest festivals these past few
months and brought back these shots to prove it   (above) Andrew Dice Clay - Live
@ The Roxy 
  Common - Live @ Rock the Bells Festival
&nbsp; 
&nbsp;
  Cypress Hill - Lice @ Rock the Bells Festival
&nbsp; 
&nbsp;
  Descendents - Live @ FYF Fest
&nbsp; 
&nbsp;
  Guided By Voices - Live @ FYF Fest
&nbsp; 
&nbsp;
  Guy Clark - Live @ Hardly Strictly Bluegrass
&nbsp; 
&nbsp;
  John Fogerty - Live @ Outside Lands
&nbsp; 
&nbsp;
  John Prine - Live @ Hardly Strictly Bluegrass
&nbsp; 
&nbsp;
  Kid Dynamite - Live @ FYF Fest
&nbsp; 
&nbsp;
  Mavis Staples &amp; Win Butler (of Arcade Fire) - Live @ Outside Lands
&nbsp; 
&nbsp;
  Merle Haggard &amp; Kris Kristofferson - Live @ Hardly Strictly Bluegrass
&nbsp; 
&nbsp;
  M ]]></description>
<pubDate>Fri, 04 Nov 2011 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/5626/</guid>
</item>
<item>
<title>Wasteland Bait & Tackle / James McMurtry</title>
<link>http://blurt-online.com/blogs/view/5543/</link>
<description><![CDATA[ &nbsp;

What Happened to the Border?
&nbsp;
By James
McMurtry
&nbsp;
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Late in the summer of 1992, my tour manager and I
crossed into the United States
from Emerson, Manitoba,
after a tour of Western Canada. We were tired
and disheveled. The U.S. Border Patrol agent at the gate was a big man with a
handle bar mustache and a big nickel plated revolver, with nice custom stag
horn grips, hanging from his hip. He wore the green uniform of the era, and had
a sense of humor, though a rather twisted one. He told me to pull into the bay
on the left and park on the orange tarp. I did as I was told, he had a gun
after all. Another officer, I think from U.S. Customs, met us at the open bay,
took the customs form on which I had listed descriptions of our instruments
complete with serial numbers prior to entering Canada, and told us to go into
the building while he performed the inspection. The building was full of
students yelling about their rights ]]></description>
<pubDate>Tue, 11 Oct 2011 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/5543/</guid>
</item>
<item>
<title>BEATS WORKING / DOMINIC UMILE</title>
<link>http://blurt-online.com/blogs/view/5512/</link>
<description><![CDATA[ &nbsp;

Our latest look at dusty
instrumental hip-hop, techno and bass includes Martyn (pictured above), HTRK,
Walls, I Break Horses, and more.
&nbsp;
By Dominic Umile
&nbsp;
Disparate
nuances and textures meet in a distinctive manner on several recent records
that have had me thinking about what music I've been drawn to in 2011 overall.
Just as the dour noisepop of Belong's Common Era or Andy Stott's stark,
shadowy techno on Passed Me By presents a challenge to categorize other
than "I've really been blown away by these," the releases discussed
here - their repetition of colorful sonic themes, matched with a fusion of
electronics and sampled instruments - aren't easily articulated in
conversation. And there are similarly heady, much chatted-about albums on the
horizon: M83's Hurry Up, We're Dreaming sees an October release; a
"next level" Nathan Fake album is in the can, according to James
Holden's interview at ClubbersGuideNewYork.com and Kompakt's catalog of
expe ]]></description>
<pubDate>Thu, 29 Sep 2011 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/5512/</guid>
</item>
<item>
<title>I DON’T WANNA GROW UP / JOHN MOORE</title>
<link>http://blurt-online.com/blogs/view/5285/</link>
<description><![CDATA[ &nbsp;

Bomb the Music Industry! Interview
&nbsp;
By John B. Moore
&nbsp;
For a whole
generation of punks, the phrase "DIY" is little more than a t-shirt slogan hanging
on the wall at Hot Topic down the street at the mall.
&nbsp;
It's refreshing
then to see a music collective like Bomb the Music Industry! not only understand
the meaning of Do It Yourself, but have that concept as the band's ethos. DIY
and fairness to fans have been part of BTMI! Since the group's beginnings in 2004.
From spray-painting stenciled t-shirts to fans behind show venues (free of
charge, of course) to playing only all-ages shows that agree to cap ticket
prices at $10, this New York
collection of punk rockers, led by founder Jeff
Rosenstock, have a reputation even the guys in Fugazi would envy.
&nbsp;
The band - using the term loosely as dozen of musicians come and go at
any given time - is also behind the label Quote Unquote Records, which has been
offering "name your own price" download ]]></description>
<pubDate>Tue, 02 Aug 2011 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/5285/</guid>
</item>
<item>
<title>LOOK AT LIFE / COCO HAMES</title>
<link>http://blurt-online.com/blogs/view/5226/</link>
<description><![CDATA[ Hot Time, Summer in the City
&nbsp;
By Coco Hames
&nbsp;
No sooner did my old friend, the sun, and I start spending
time together again, did a man come and taketh away from our times. There is a
swimming hole on the Harpeth
 River where I, the Ettes,
our friends, and all the other teenagers go (with dogs) and swim and frolic
about. It is HOT in Nashville in the summer, and swimmin' holes (and ca-brewing
trips) are necessary to not pack up and leave due to sweltering heat, terrible
tourist traffic, general relentless bugginess (not even counting the cicadas,
but that was intense) and just straight up boredom. That is why the Lord gave
us swimmin' holes. And now this guy done come took it away!
&nbsp;
Thing is, like all good things, it was not to last, our
absolute rule of that swimmin' hole. Absolute rule corrupts absolutely. I think
maybe some people got sloppy. Maybe some people got noisy. Maybe some people
left too many beer cans and garbage behind. Either way, we b ]]></description>
<pubDate>Fri, 15 Jul 2011 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/5226/</guid>
</item>
<item>
<title>THREE MONTHS IN L.A. PHOTO BLOG / SCOTT DUDELSON</title>
<link>http://blurt-online.com/blogs/view/5208/</link>
<description><![CDATA[ &nbsp;

Out &lsquo;n' about in the City of Angels
with Blurt's roving shutterbug (April, May &amp; June 2010)
&nbsp;
By Scott Dudelson
  (above)Slightly Stoopid - Live @ The Greek Theatre - 4/20
&nbsp;
Bad Brains - Live @ The Greek Theatre - 4/20
&nbsp; 
  Barrington
Levy&nbsp; - Live @ The Greek Theatre - 4/20
&nbsp; 
  Atomic Bomb Audition - Live @ Cobalt Cafe - 5/5
&nbsp; 
  The Raveonettes - Live @ Saint Rocke - 5/8
&nbsp; 
  Mogwai - Live @ The Mayan Theatre - 5/10
&nbsp; 
  Henry Clay People - Live @ Satellite - 5/13
&nbsp; 
  Little Dragon- &nbsp;Live @ UCLA Jazz &amp; Reggae Festival - 5/30
&nbsp; 
  Buffalo Springfield
- &nbsp;Live @ Santa Barbara Bowl - 6/9
&nbsp; 
  Flaming Lips- &nbsp;Live @ Hollywood Forever Cemetery - 6/14
&nbsp; 
  Morning Benders - &nbsp;Live @ Pasadena
Make Music Festival - 6/18
&nbsp; 
  NewVillager - &nbsp;Live @ Pasadena
Make Music Festival - 6/18
&nbsp; 
  La Sera- &nbsp;Live @ Pasadena Make Music Festival - 6/18 ]]></description>
<pubDate>Mon, 11 Jul 2011 00:00:00 GMT</pubDate>
<guid>http://blurt-online.com/blogs/view/5208/</guid>
</item>
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