SAND MEN Beach Fossils

Jun 21, 2011



Brooklyn-by-way-of-Carolina musical savant Dustin Payseur talks about his critically-acclaimed indie rock outfit.

 

BY TIM HINELY

 

It seemed that last year intriguing pop bands were appearing everywhere and many were coming forth from Brooklyn's Captured Tracks label. Bands included the gentle pop sounds of bands like Wild Nothing and Minks and both seemed to capture a fair amount of attention from the press, but perhaps the best of the bunch was a mysterious band called Beach Fossils. There was very little information on the self-titled album (packaged in a drab gray sleeve), but it did say it was written and record by a person named Dustin Payseur.

 

Shortly thereafter Payseur's name began popping up in reviews and interviews, and the show I subsequently caught last year at Portland's Doug Fir Lounge was nothing if not electrifying.  All four musicians onstage (including a stand-up drummer and a newly acquired guitarist since their original one for the tour had bailed) were dancing and obviously knew how to put on a good show. They returned this year with the What a Pleasure EP and have lost nothing on their approach; in fact, the songs might even be better. Payseur took time out of his busy schedule - he had just returned from tour - to answer some questions via email.

 

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BLURT: What was your initial interest in music? Was it through your folks?

DUSTIN PAYSEUR: Yeah, my family definitely had an influence on my beginnings. Having musical parents gave me an opportunity I may not have had otherwise, so it was easy for me to pick up instruments early on.

 

Didn't they play in a band? If so, what/when?

Yeah, when I was a kid I thought everybody's parents were in bands. They were playing live around the late ‘80s through the mid ‘90s. There wasn't much going on in [hometown] Charlotte around the time, that scene was sort of feeding off the Atlanta/Athens vibe, so my parents kind of had a totally sarcastic approach to their music (songs like, "Fuck You in the Face") since all the other bands around the area took themselves way too seriously.


Any significant memories of your folks' gigs, or maybe semi-famous
friends coming over to the house?

Not really too much, mostly just going with them out to the country where they would jam with their crazy hippie friends for hours. Although my mom did have a morning show at the radio station and she got picked up in a limo so I thought she was famous.


What was the first record you remember buying with your own money?

I think it was the Misfits compilation album or Ministry's Psalm 69 on cassette. If it was aggro I was into it.


Is Beach Fossils your first band?

I've had bands before, but nothing I've concentrated so much energy into before. Everything else I did was focused, but also pretty loose since I didn't think anybody would ever hear it so it was more just experimenting with sounds and genres. I guess the Beach Fossils album came about the same way, though; I just focused more on it because it was a combination of sounds that finally felt really comfortable, pop yet mellow and sometimes aggressive. It could really be whatever I wanted it to be since the sound was so flexible.


Tell me about the recording of your debut record. You did it yourself, right?

Yeah I did it all at home, I didn't really know what I was doing but I knew how to get the sounds that I wanted... I suppose that's still how I'm operating.


How did the deal with Captured Tracks come about? Do you feel a
kinship with other bands on the label? It seems like a lot of bands
might share the same influences.

I sent a demo hoping to hear back but figured it would get lost in the mix of "incredible stuff Captured Tracks probably receives every day" but luckily I heard back really quickly. The label is amazing, I love being a part of the family. The bands are really on point, there's a lot of variety, but what every band consistently shares is a passion for creating music that has guts and takes risks while staying pop... music that has deep roots of inspiration spreading across different
genres from punk to cold wave and twee to free jazz, etc. It's inspirational to be around.

 

 

Have you been surprised by the interest taken in the band?

Definitely. Every time we play a show I'm surprised by the crowd and their excitement and participation. It's all you could ever want when you think of being in a band. The fact that we get people moving like that, and the things they tell us after the shows about how our music has had an impact on their lives, it's unbelievable.


Who are some of your biggest influences? Anyone that might surprise us?

As far as just being in love with music in general, the stuff that really moves me is Lester Young, Ravi Shankar, J.S. Bach, Don Cherry, My Bloody Valentine, The Byrds, on and on and on... mostly jazz and classical as far as the way it's written and structured. I'm limited as a rock musician - I don't know how the hell to play that kind of music so I do what I can with a guitar and bass.


Tell me about the tour last year. Did the guitarist really up and quit
mid-tour? Onstage you said you had taught the replacement the songs
in the van on the way to the gigs.

Yeah that tour was pretty exhausting. We were already on the road when our guitarist quit and that was pretty hard, but I honestly wasn't mad at him because I felt like quitting the tour myself. We were hardly making money for gas and sleeping on floors for a month. Not really any different than any other band on their first tour, but it can grind you down after a while. But we picked up our friend TJ from Cloud Nothings and showed him the songs in the van, he was a really
quick learner and saved us for that tour.


Did things change for the recording of the What a Pleasure EP?

Originally it was Chris and John [Peña] and myself. But after Chris quit, John and I scrapped all of the songs we wrote with him and started over. It was a stressful recording situation because we were pressed for a deadline but also on tour in Europe, so I was literally singing into my computer mic in hotel rooms trying to make some sort of progress. We finally wrapped it up when we got back
to the States and released it. I think if we had a little more time it would have been a completely different album, but that's what the next LP is for. [Ed. Note: the band's current touring lineup is rounded out by Tommy Gardner and Cole Smith.]


Was this latest tour better than the first one?

Absolutely... we shared a van with Craft Spells and those guys are the best. That made it a lot easier and felt more like a tour should, which is having a good time and making sure the crowd has a good time too. It was our first time headlining a tour in the U.S. and I was a little scared before we took off on it, I was surprised every night and totally thankful to the crowds who made it such a beautiful
experience.


Do you still have a day job?

I can't function in a "normal" job, it's nearly impossible to me, the tediousness of it all makes me want to tear my hair out. I haven't had one in over a year and it's the best feeling. Sometimes it can be a little too free because I don't make the wisest decisions with my free time, but recently I've been forcing myself to record a lot more frequently.


What's next for the band?

Just focusing on one song at a time, making albums that I personally want to listen to. And to make sure I do it right so don't have to go back to a day job!

 

[Photo Credit: Angel Ceballos]

 

 

 


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